The Women of the MET!

Look at the line up for the FOUR LIVE broadcasts on Sirius this week!  What treats in store!

Monday 2/12

7:30 PM Verdi: La Traviata (LIVE FROM THE MET)
Rizzi; Dunleavy, Kim, Taylor

 

 

 

 

 

Tuesday 2/13

 8:00 PM Tchaikovsky: Eugene Onegin (LIVE FROM THE MET)
Gergiev; Hvorostovsky, Fleming, Vargas, Zaremba,
Aleksashkin

 

 

 

  

7:30 PM I Puritani (LIVE FROM THE MET)
Summers; Futral, Kunde, Vassallo, Gradus

 

  

 

 

 

1:30 PM Janacek: Jenufa (LIVE FROM THE MET)
Belohlavek; Mattila, Begley, Silja, Silvasti

Posted in Opera, Radio, Web/Tech | Leave a comment

Sirius debut Monday night – Mary Dunleavy as Violetta

Mary Dunleavy

Soprano (Old Saybrook, Connecticut)
Debut: Wood Nymph, Rusalka, 1993
Repertory: Violetta (Traviata)  

Sirius

Met Webstream

 

I am so excited about this – I met Mary when we worked with the same coach.  Always upbeat, cheerful and friendly – I am thrilled for her to finally get more exposure!  I have followed her career for years and she has grown steadily as an artist, singer and actress through out the many roles she has taken on.

This is one of her favorite roles – she has sung it many times all over the world and has only ever been second casts in it at the MET and she deserves more than that ! 

 “I love how real Verdi feels to me. I learn so much about myself in whatever role I sing, but particularly with his music.” That kind of self-discovery is one of the most important byproducts of the intensive work she does with her longtime acting coach, Hank Hammett of Southern Methodist University. “Hank and I have spent countless hours focusing on what I can bring to a role that makes it both authentic for the character, yet uniquely my own. Violetta is a perfect example of this. Her story, of course, is always the same on paper – but my goal is to tell it in a way that seems totally new each night. To do that, you have to make choices based on whatever is happening to the character in the moment, and those choices are colored and nuanced by my experiences, my life. She changes and grows with me as I change and grow, and I hope she’ll continue to do so.”

“When I’m so deeply connected to a role like this, I like to think it’s something that the audience can definitely feel. That somehow, what I’m finding out about myself is something they can find out about themselves as well. Verdi has taken me on some amazing journeys, and I’m glad so many people have been there to share them with me.”  [marydunleavy.com]

and from a recent article on the Opera Online Us website:

…she cherishes the roles she still enjoys, like Violetta (“I love the dramatic path she takes, the libretto is beautiful and real, and of course the music is divine.”); and covets the role of Manon. (“Anyone who knows my career just a little bit is aware that my dream role is Manon. It seems like a great fit for me musically and dramatically.”)

 

Posted in Opera | Leave a comment

A new voice…

Southern Gal welcomes a new voice to the blogsphere – RICHARDTHETENOR.  Who in addition to teaching is a member of the wonderful Western Wind.  Many years ago, SG met Richard/s wife at a corporate law firm where they both worked – we have all come a long way from there!  And check out Cynthia’s blog – it’s a talented family!

My First Blog Entry

Today was a good day to be a musician. Western Wind, the group I sing (and teach) with, went to the Talent Unlimited High School in NYC for the first session of our annual residency program. When we started this gig (was it 6 years ago?), the students were unruly and the whole atmosphere was nerve-wracking and chaotic. By now, the kids have been civilized and drilled into receptive potential musicians by the eternal patience and inventiveness of Christian Smythe. So we had a blast working with them.

Richard’s bio (see) speaks of his love of “the parlor repertory of the Victorian era.”  We look forward to reading more about this and, well as he says under his title  ” A journal of my travels, my gigs, my enthusiasms and my rants.”

Posted in Music, Opera, Weblogs | Leave a comment

A budding opera director

Caitlin C. Vincent ’07, a History and Literature concentrator, is the stage director of the Dunster House Opera (DHO) production of “The Marriage of Figaro.” Trained in classical voice, Vincent jumped into the campus opera scene from the start of her time at Harvard.

I started taking classical voice lessons when I was 14, and I had always planned to continue singing at college. Harvard was the only non-conservatory school that I applied to, and I ended up choosing it because of the performing opportunities (Harvard has far more opportunities for undergraduate singers than most other places). Once I was here, I just started auditioning.

Since her freshman year, Vincent has been deeply involved in campus opera productions. As a senior, Vincent now returns with “The Marriage of Figaro” to the place she began four years ago.

The Harvard Crimson :: Arts :: SPOTLIGHT: Caitlin C. Vincent ’07.

Posted in Opera | Leave a comment

The missing president…and the BSO

Yesterday, The Crimson reported on their efforts to verify the rumour of Faust’s nomination.  Check the last paragraph.

Faust’s whereabouts proved difficult to pin down: an evening call to her house on Brattle Street revealed that she was in Philadelphia, attending a Board of Trustees meeting at Bryn Mawr. The individual who answered the phone—possibly her husband, Harvard professor Charles Rosenberg—said he did not know when she would return to Cambridge.

Calls to Philadelphia-area hotels did not yield any confirmation of Faust’s location, and Faust’s cell phone was turned off throughout the evening. Her daughter, Jessica Rosenberg, also had her cell phone off and could not be reached at the New Yorker, where she works.

Individuals connected to the University and the search process stayed quiet as well. Several members of the Board of Overseers contacted by phone refused to comment, as did the University’s official spokesman.

Two of the other presidential search finalists—Provost Steven E. Hyman and Law School Dean Elena Kagan—kept a low profile. Hyman, whose Mass. Hall office was dark by 6:15 p.m., declined to come to the door when two Crimson reporters appeared at his house. And Kagan smiled and went into her house when approached by a reporter.

In an apparent coincidence, the Boston Symphony Orchestra is set to play Berlioz’s “Damnation de Faust” on Monday, the day after Faust is expected to be named the University’s 28th president.

The Crimson

Posted in Current Affairs | Leave a comment

Ian Richardson RIP

ian richardson

Veteran classical actor who found his greatest commercial success on TV as the ruthless politician Francis Urquhart

Ian Richardson – Veteran classical actor who found his greatest commercial success on TV as the ruthless politician Francis Urquhart
April 7, 1934 – February 9, 2007  [TImes.co.uk]

Ian Richardson was a founder member of the Royal Shakespeare Company and during some 15 years at Stratford established himself as one of Britain’s leading Shakespearean actors, with among many others, memorable portrayals of Coriolanus, Prospero and the two Richards, II and III.

His performances were marked by extraordinary vocal precision, clipped and deliberate, physical elegance and a striking presence. After so many years as a company member he diversified into commercial theatre and built virtually a new career in television, crowned by his cynical, wheedling and ruthlessly ambitious politician, Francis Urquhart, in House of Cards.

Urquhart is first seen as a government chief whip but with his eye firmly on the top job. The drama, which went out in 1990 at the time of Mrs Thatcher’s demise, was adapted from Michael Dobbs’s novel by Andrew Davies, who gave Richardson, in one of his frequent asides to camera, a catchphrase which resonated long afterwards: “You may think that: I couldn’t possibly comment”.

Having schemed his way into No 10, murdering his mistress along the way, Urquhart reappeared in To Play the King (1993), where he found himself at odds with a liberal monarch, played by Michael Kitchen with the voice and mannerisms of the Prince of Wales. In a third tale, The Final Cut (1995), Urquhart’s dishonourable past finally undermines and destroys him.

Seen by millions on television, Urquhart suddenly made Richardson, hitherto known to a smaller and more specialised audience as a fine classical actor, into a star. It was, as he admitted, a mixed blessing. He was recognised wherever he went, even during a holiday in Naples, and had to stop going to the Garrick Club because real politicians fell silent when he approached the bar.

more at TIMES

https://i0.wp.com/news.bbc.co.uk/olmedia/1650000/images/_1654366_ianrichardson150.jpgIan Richardson, 72, Versatile Scottish Actor, Dies
By CAMPBELL ROBERTSON  – [New York Times]

Ian Richardson, the Scottish film, television and stage actor who was a major figure at the Royal Shakespeare Company before gaining international fame for his television portrayal of a deliciously villainous politician, died yesterday at his home in London. He was 72.

His agent, Jean Diamond, said the cause had not yet been determined.

With his sharp features and honeyed accent, Mr. Richardson was almost destined to play the seductive villain Francis Urquhart in the series “House of Cards” and its two sequels. But he first became known as a versatile stage actor, and as a founding member of the Royal Shakespeare Company in 1960.

He made his first impact on the American theater scene as Jean-Paul Marat in Peter Brook’s groundbreaking production of Peter Weiss’s “Marat/Sade” when it came to Broadway in 1965. Stanley Kauffmann, writing in The New York Times, called his performance “outstanding.” Mr. Richardson believed the role of the madman playing Marat also made him the first actor to expose his hind parts on a Broadway stage.

Mr. Richardson remained with the company for the next decade, winning praise for his portrayals of the two Richards as well as Berowne in “Love’s Labour’s Lost.” Other roles included Prospero, Angelo and Cassius, the conniving senator for whom Mr. Richardson once said he had a soft spot.

In 1974, in the middle of a brief nervous breakdown, Mr. Richardson left the company. Two years later he came to Broadway to play Henry Higgins in a revival of “My Fair Lady,” for which he won a Tony Award. He also appeared on Broadway in 1981 in Edward Albee’s adaptation of Nabokov’s “Lolita.”

[snip]

Ian William Richardson was born on April 7, 1934, in Edinburgh, to a homemaker and a biscuit factory manager. He worked as a radio announcer in Libya for the British National Service, where he first received diction lessons, before going to the Glasgow College of Dramatic Art.

At 25, while playing Hamlet at the Birmingham Repertory Theater Company, he was seen by Peter Hall, who asked him to join a troupe he was starting. That troupe became the Royal Shakespeare Company.

During a read-through of “The Merchant of Venice,” his first production there, Mr. Richardson, who played the Prince of Aragon, was introduced to an actress named Maroussia Frank. They married the next year. In addition to Ms. Frank, Mr. Richardson’s survivors include their two sons, Jeremy and Miles; several grandchildren; and two sisters.

To the end, Mr. Richardson was conflicted about the fame Urquhart brought him.

“Beforehand I was an anonymous jobbing actor known only to the cognoscenti,” he said in a 2000 interview with The Scotsman. “Now, when my wife wants to go to the supermarket, I have to stand at the side entrance, looking furtive in a hat and sunglasses. Is that any way for an actor to have to behave?”

NYTIMES

Broadway.com

Wikipedia

Posted in Theatre | Leave a comment

Woolly breasts

Knitted breasts

The breasts are a cheaper alternative to latex models

Woolly breasts appeal goes global
The breasts are a cheaper alternative to latex models

A hospital which appealed for volunteers to knit fake breasts has had offers from across the world.

The woolly breasts are used by Liverpool Women's Hospital to show new mothers how to breastfeed and how to express milk.

Kate McFadden, infant feeding co-coordinator, said the response to its appeal has been "amazing".

The knitting pattern for the breasts is being made available online for volunteers to download.

The breasts are produced in a variety of skin shades and are cheaper than sourcing latex models, which cost around £35 each.

BBC NEWS | England | Merseyside | Woolly breasts appeal goes global.

Posted in Current Affairs, Knitting | Leave a comment

Berlioz – Faust BSO Tonight LIVE

Web stream at WCRB

Boston Symphony Orchestra February 10, 2007 8:00 PM
Symphony Hall  Boston, MA

James Levine, conductor
Yvonne Naef, mezzo-soprano (Marguerite)
Paul Groves, tenor (Faust)
Cos van Dam, baritone (Méphistophélès)
Andrew Gangestad, bass (Brander)
 
 Tanglewood Festival Chorus
  John Oliver, conductor
 
 PALS Children’s Chorus
  Johanna Hill Simpson, founder and conductor emerita
 
BERLIOZ  La Damnation de Faust

 
Audio Concert Preview by Marc Mandel, BSO Director of Program Publications
Performance dates: February 8 – 10, 2007

The duration of this concert is approximately 2 hours.  
  
James Levine and the BSO are joined by an outstanding cast of singers, including the acclaimed Belgian baritone José van Dam as Mephistopheles, Swiss mezzo-soprano Yvonne Naef as Marguerite, and American tenor Paul Groves as Faust, in Berlioz’s magnificent La Damnation de Faust. Berlioz’s “dramatic legend” was the first major work to grapple with a large-scale setting of Goethe’s Faust. The composer had attempted a musical approach to Goethe’s great dramatic poem in his Eight Scenes from “Faust” in 1829 and laterused these pieces as a basis for the much larger Damnation written in 1846. He led the first complete performances in Berlin in June 1847. Like so many of his other works including Roméo et Juliette and Harold en Italie, La Damnation de Faust is a unique creation that falls outside of established genres.

 

  
 Listen to excerpts:
(MP3) – Berlioz, <i>La Damnation de Faust</i> – BSO/Munch  (MP3) – Berlioz, La Damnation de Faust – BSO/Munch
 

  
 Read the Program Notes:
(PDF) – Program Notes – Berlioz  (PDF) – Program Notes – Berlioz

 

Posted in Music, Weblogs | Leave a comment

BSO webcasst!

FINALLY!

Boston Symphony Concerts Now Available in Streaming Audio Over Internet   By Vivien Schweitzer   February 6, 2007

Fans of the Boston Symphony Orchestra who don’t live close enough to “The Hub” to get to Symphony Hall — and Boston residents who don’t want to brave the cold — can now hear BSO concerts live over the Web.

All this season’s remaining BSO programs — including this week’s Berlioz Damnation de Faust with Paul Groves, Yvonne Naef and José van Dam, next week’s world premiere of Charles Wuorinen’s symphony Theologoumena, the following week’s premiere of Kaija Saariaho’s Notes on Light (February 22-27), and Beethoven’s Fidelio with Karita Mattila as Leonore (March 23-27) — will be available through live streaming audio at http://www.wgbh.org and http://www.wcrb.com, the websites of Boston’s two major classical radio stations.

WGBH 89.7 FM has been broadcasting and streaming live all BSO Friday afternoon concerts since October; WCRB 99.5 FM has been doing the same with the orchestra’s Saturday night performances since November. (The concerts are available online only as live audio streams of the radio stations’ broadcasts; they are not currently archived for on-demand listening.)

from Playbill

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Coming up on Boston Symphony Orchestra, WGBH 89.7

Fri, Feb 16, 1pm
James Levine, conductor
Haydn: Symphony No. 22
Wuorinen: Eighth Symphony
Brahms: Symphony No. 4
LIVE performance starts at 1:30pm

Fri, Feb 23, 1pm
Jukka-Pekka Saraste, conductor
Anssi Karttunen, cello
Debussy: Printemps
Saariaho: Notes on Light, for cello and orchestra
Sibelius: Lemminkäinen Suite
LIVE performance starts at 1:30pm

Fri, March 2, 1pm
Ingo Metzmacher, conductor
Leonidas Kavakos, violin
Bartók: Violin Concerto No. 2
Bruckner: Symphony No. 6
LIVE broadcast starts at 1:30pm

Fri, March 9, 1pm
Charles Dutoit, conductor
Martha Argerich, piano
Rimsky-Korsakov: Russian Easter Festival Overture
Stravinsky: Symphony in C
Beethoven: Piano Concerto No. 1
LIVE broadcast starts at 1:30pm

Fri, March 16, 1pm
James Levine, conductor
Stephanie Blythe, mezzo-soprano
Women of the Tanglewood Festival Chorus
American Boychoir
Mahler: Symphony No. 3
LIVE broadcast starts at 1:30pm

Posted in Audio, Music, Radio | Leave a comment

Weese leaving NYCB

A Departure  By Pia Catton  05 Feb 2007
 
After 14 years, New York City Ballet says farewell to Principal Dancer Miranda Weese in February.

Of all the many reasons to come to New York City Ballet during the winter season, one of the most bittersweet is that February is the last chance to catch Principal Dancer Miranda Weese with the Company. After this season, Ms. Weese will move to the West Coast to dance with the Pacific Northwest Ballet as a guest artist.

What Ms. Weese leaves behind is a legacy of gorgeous, heartfelt dancing. “I’ve had wonderful opportunities, and the bulk of my artistic achievements have been here,” she said. “But at this point in my life, I’m thinking about ways to prolong my career, and one way to do this is to find a company — and a city! — with a slower pace.”

Posted in Dance | Leave a comment