Morse, Mozart and Mystery

three of my favorite things together – how can this not be a good thing?

if you are a fan of Mozart and especially of DIE ZAUBERFLOTE (the hot music topic in nyc right now) and love an intellectually stimulating mystery – and the quirkiness of a curmugdeonly british dectective – rent INSPECTOR MORSE – THE MASONIC MYSTERIES.

Morse_masonic

its a wonderful story based around and using elements of ZAUBERFLOTE. the main character of this made-for-tv only episode, Chief Inspector Morse, is a classical music fanatic, especially of opera. in this plot, Morse himself becomes the primary suspect of a fellow female chorus member during rehearsals for a community production of ZAUBERFLOTE. its filled with persecution and pyrotechnics and plot twists, but in the end, Morse gets his man – but alas, has lost the lady (par for the course for him).

if you are a lover of well written and executed tv mysteries of the british variety – seek this out. and the others in the tv series as well – some of the best british mystery tv production ever imnsho. unfortunately for the many Morse fans, Dexter ‘killed’ off his lead character in ‘The Remorseful Day’; and tragically shortly after, John Thaw, the actor who brillantly inhabited the Morse character, died.

Dexter has been quoted as saying that after the filming of the series from his books had started, he found characteristics from Thaw’s performances creeping into his new books. John Thaw had worked in British tv for many years (The BILL) and theatre, but it was with his portrayal of Morse that he found his fame as an actor. The other series he is beloved for is Kavanagh QC (it was in production at the time of his death).

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the trouble with julie….

[taymor that is]

if you have seen the new production of DIE ZAUBERFLOTE or have heard about it – there is a huge outpouring of commentary on the opera-l internet list….hop over and check it out… Opera-L

here’s Tommasini’s NY Times review – Coloring Mozart’s World With Puppets and Gegaws

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taming the beast

working in the network admin support group of the is department of a large law firm, by the end of some days – and today is one – i am often wrung out. exhausted from the constant barrage of support calls and admin tasks to be done, much less the constant strain of no privacy from corporate cubicle land and the lack of enough staff. my days often end beyond 530.

it pains me because after days like those (and today is one of them) i am almost too tired to do much of anything except drag home. but over the last year i have missed music – it used to be the primary focus of my life and then wasn’t. [insert ominous music] and for a long while it was painful to listen – but gradually that eased and then suddenly i missed it – so now i am indulging again.

i find often the more wrung out i feel, the more i need to focus on something totally sensory – even though because of my training , i listen with another critical level running constantly. enveloping my brain with a late Beethoven string quartet or the Finale of Act Two of NOZZE DI FIGARO or a Hadyn symphony, by the time i get home to park slope, i am ready to deal with my life and not the needs and demands of my workplace.

of course i envy anyone who makes his/her life in music, about music and with musicians – i wish i could, but thats another story.

and so, i give great thanks to APPLE and the ipod. i bought it primarily to listen to the many opera webcasts i have, most of which are not split into acts and thus are rather large mp3 files – the only way i was going to listen to them was by cd (which means i have to burn them – when?) or by listening to the mp3 file itself. and yes, i splurged and bought the 40G one but even if i used it just on the subway an hour each way each day that would justify it – for me anyway. (not that i need to justify it … do i?)

thanks APPLE for helping tame my beast.

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the cat who loves wagner

i have been owned by two pairs of cats. my first cat was found at Bideawee in the first month after the breakup of the relationship that i thought was my true love for life. ah the folly of youth .

emma was a “tuxedo” cat – deep black short fur with white stomach and four white paws and a white tip on her tail and a black dot on her nose – a very independent but loving cat. she was very tiny and would climb up the loft ladder and sleep curled right next to me under my chin… of course as she grew this position became more problematic – but she adapted and would even readjust her position when i would turn over during the night as i am wont to do.

miranda came to us via a friend who found miranda’s pregnant mom straying thru the upper west side. miranda was very young also when she came to us; unfortunately emma was not a very maternal cat, yet there was no fighting. the two just figured out which were “their” spots and staked them out and neither ever sat in the other’s spot. they were different types as well – emma had to cuddle next to me whenever i sat on the sofa. miranda would hang out on the top of the sofa or on the arm – close but not too close.

they died several years ago – miranda first at 13 in the autumn of 1999. her death came during the darkest years of my life and to deal with it, i spent a day tearing up concrete to create a space for a garden. emma died in feb 2001 at 16. i had to put miranda down (horrible experience) and so i convinced the vet to let me keep emma and she died in my arms.

three years went by ….

i found myself on jury duty in brooklyn. after i wasnt selected on the third day for the felony case, i was wandering Atlantic Avenue and came across HOPE VET. just browing i thought and went in … and there was a mother cat and her kitten. the mother was a pregnant stray… as far as the vets could determine she was barely a year old. the kitten was the sole survivor of her litter of three. one other person was interested in the kitten only but was going to declaw her – so when i said i would take both (no declawing!) that must have been the extra point because after filling out a three page application and waiting three days, i was approved.

so Cordelia and Katie came home with me in Feb 2004. Cordelia because the vets had called her cornelia and i wasnt that crazy about that name so i picked the closest i could find that i liked; Katie for Kate Hepburn who had died at the time and for my grandmother – Kathryn.

ok to the Wagner reference…. Katie was a very skeetish kitten and still doesnt tolerate being held; although 9 months later she is calming down enough that she will abide about 5 minutes of petting and scratching of her head before skampering away.

anyway last spring i was sitting at my desk preparing to listen to the MET OPERA’s broadcast of DAS RHEINGOLD with score at hand. that deep chord was rising up thru the orchestra and here came Katie peering thru the door. she calmly jumped up and, laying on the desk, spreading out over everything, sat thru the entire opera. it was intriguing to me as i dont have the volume down low or even at medium levels.

wonder what she would do if she heard live music ? well, maybe soon we will see.

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kniting on the subway

so here's my story for the week – from a past commute [im still working on the blanket]

as i got a RARE seat on the # 4 this morning, i pulled out my knitting – the first three inches of a baby aran blanket for my latest nephew. its on 20" circs and is a LOT of stitches.

SO a woman sits down to the left of me and looks at my knitting and says – oh is that a hat? (for a giant maybe!) but i was nice and explained it was a baby blanket.. that was however the extent of her interest which was fine as i wanted to concentrate on the cables as it was the first setup row.

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here we go again

ok, so i've been away for awhile… here's why. i only had a dialup connection at home and finally decided to get a DSL connection thru Verizon. it was activiated in mid July and now i can join the many knitting bloggers i admire (wendy, chicknits, ….) and get my stuff on my blog. i also just moved to TYPEPAD from blogspot and i like it already much better. AND i am also going to buy a digital camera (what… finally!) and then i can really add to my blog's interest.

and hopefully ill be approved as part of the southern knitters webring and then maybe someone will visit me ;o

i was born in Lake Charles Louisiana and lived in Baton Rouge for many many years before moving to Washington DC and then to big bad old New York City where i seem stuck. i have a love/hate relationship with this city – im not sure living in this city is worth the aggro and expense anymore. when i first moved here it was much more affordable and easier to live here… but thats not about knitting.

ill do another post in a little bit on my current wips, etc.

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LENNIE!

Just a reminder – this program should be listened to by anyone who loves music, is a musician and especially an American musician.

from WNYC

Leonard Bernstein: An American Life
WNYC is sole New York City broadcast venue of 11-Part Documentary. Series Begins Sunday, October 10
Narrated by Susan Sarandon

Leonard Bernstein – An American Life

Lb8

Airs 11 Sundays from October 10 – December 19 at 4PM on 93.9 FM and 8PM on AM 820

Leonard Bernstein: An American Life is an 11-part radio documentary series presenting a personal portrait of Bernstein, the composer, conductor, and one of the great public figures of our era. The series includes interviews with over 100 people who knew him, including Steven Sondheim, Marin Alsop, and Betty Comden.

Few if any American personalities have received this in-depth treatment in the mass media; nothing quite like it has been aired on radio in this country.

Virtually every aspect of Bernstein’s career and life will be explored through the words of Bernstein’s own correspondence, as well as interviews with more than one hundred people who knew and worked with him. These luminaries include John Adams, Marin Alsop, Betty Comden, John Corigliano, Adolph Green, Bobby McFerrin, Hal Prince, Mary Rodgers, Mstislav Rostropovich, Stephen Sondheim, among many others. Bernstein’s family also participated in this production. His brother Burton, son Alexander, and daughters Nina and Jamie all appear through their thought-provoking interviews and readings.

Alec Baldwin will voice the majority of the correspondence written by men; Broadway star Donna Murphy (currently performing in Bernstein’s Wonderful Town) will read the female letters; daughter Jamie Bernstein will voice Bernstein’s own letters; and Schuyler Chapin, NYC’s Cultural Commissioner and Bernstein’s record producer and longtime friend, will voice the letters of European composers. These excerpts were compiled from some 17,000 pieces of correspondence held by the Library of Congress.

The eleven programs are:

(1) Bernstein: The Early Years
(2) Twelve Gates to The City (Meeting the Mentors)
(3) New York, New York
(4) Tonight
(5) A New Frontier/The Philharmonic Years
(6 and 7) Bernstein: The Conductor
(8) Crossroads
(9 and 10) Bernstein: The Composer
(11) A Candle Burned At Both Ends

****

i had the good fortune and privilege of being at Tanglewood during his last summer with the Conducting Fellows – along with Marin Alsop among others. this was the year before his death – i believe it was the last year he participated in the Fellows Program. more later after the program is over. GO LISTEN!

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Verdi’s birthday

from Writer’s Almanac for today:

It’s the birthday of Giuseppe Verdi , born in a village in Parma, Italy (1813). His parents owned a tavern and were not very well off. But his father recognized musical talent in Giuseppe and bought him a spinet (an upright harpsichord), which he kept for the rest of his life. By the age of twelve, Verdi was the organist for his church.

He started playing for other churches farther away from home, and then he went off to music school. He lived in the town of Busseto, and boarded with a wealthy grocer who liked Verdi and wanted to support him, and whose daughter Verdi ended up marrying. When Verdi went for the position of maestro di musica in Busetto, a scandal erupted. One faction supported Verdi and the other, headed by the clergy and the local bishop, were rooting for his rival–a more traditional, conservative and older musician. The town was in such discord over the matter that they completely banned music in church until the question was solved. Eventually, they compromised and made Verdi the maestro for secular music and his rival the leader for church music. Verdi wrote marches, overtures and other pieces for the Busseto Philharmonic Society and the town marching band.

But then he set his sights elsewhere and got an opera, Oberto , performed at La Scalia, the most important theater in Italy, in 1839. It was a modest success. Then tragedy struck, when his wife died of encephalitis. Verdi had already lost their two children in infancy. He vowed he would never write music again. But he couldn’t resist when he read the powerful libretto for Nabucco . He turned it into a stunning opera, premiering on March 9, 1942. The audience applauded for ten minutes after the first scene, and after the chorus the audience demanded an encore, even though they were prohibited by the Austrian government at the time. Even the stagehands, who rarely paid attention to the performance, would stop what they were doing to watch and applaud the show.

Verdi used the same librettist for his next opera, Lombardi . The librettist had a procrastination problem, and Verdi had to lock him in a room in order to get him to write enough on time. Once Verdi made the mistake of sticking him in the room with his wine collection, and hours later the librettist emerged drunk. Verdi wrote a total of 26 operas, most notably Rigoletto (1851), La Traviata (1853), Aida (1871), and Falstaff (1893).

how would the history of opera be if it weren’t for Verdi? its one of those – can’t imagine it thoughts. for more – Verdi Foundation

also born today – Harold Pinter and Theolonius Monk – i find it intriguing to see the juxtaposition of personalities.

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THE RING

[this is from a former now defunct blog – i wrote this the week after the MET ended its last season]

The RING (as it is called by afficionados) is the opera tetralogy written by Richard Wagner and put on only with great expense and exhertion by a major opera company. there are many websites devoted to more explanation about this cycle. suffice it to say that attending a RING cycle brings one in close proximity with a rare type of opera fan – the very devoted one. These operas are a marathon event = the first one is 2.5 hours with no break and the next three are almost 6 hours with two breaks each night. you see people with picnics outside and sandwiches and thermoses inside – myself, i had sandwiches and caffeine to sustain me. you would think that sitting and listening wouldn’t be tiring – but after working and hurrying to get to the opera house by a 6 am curtain, it does take a toll by the end of the week. the operas were on Mon, Tue, Thu and Sat – by the last night, you feel a camaraderie with all around you – for stamina much less with glorious music as well! and it was glorious – the met opera orchestra played their hearts out – there were two not very complementary articles about the conductor, James Levine, over the weekend prior to the opening of this last Cycle and at the end of the first night, we all leapt to our feet and screamed for the orchestra and Maestro Levine – he was really taken aback at his reception for his solo bow. the last night of the cycle was the last night of the entire SEASON as well.

****

since then i have listened to the 2004 Bayreuth RING Live from Bayreuth (thanks to web casting!) and the Rattle Debut performance of DAS RHEINGOLD at the BBC PROMS (in fact re-listening to it now) — its an incredible performance – it was done in concert version – here’s the cast list from BBC PROMS

Wagner Das Rheingold (concert performance; sung in German (150 mins)
Willard W. White Wotan
Kim Begley Loge
James Rutherford Donner
Timothy Robinson Froh
Yvonne Naef Fricka
Geraldine McGreevy Freia
Anna Larsson Erda
Oleg Bryjak Alberich
Robin Leggate Mime
Peter Rose Fasolt
Robert Lloyd Fafner
Kate Royal Woglinde
Karen England Wellgunde
Christine Rice Flosshilde
Orchestra of the Age of Enlightenment
Sir Simon Rattle conductor

“Sir Simon Rattle and the OAE launch the first ever Ring cycle at the Proms – to be shared between different teams of performers over the next four years – with the first modern performance of a Wagner opera on period instruments. “

I have listened about a dozen times since then and its an incredible performance – i can only imagine how it sounded in the Royal Albert Hall – having never been there either its a stretch – i’ve just seen it in movies like the Hitchcock TMWKTM. anyway, it would be an experience to hear all of them – one each year. going to LONDON and going to Bayreuth for THE RING are two things on my list of Things To Do Before Its Too Late (TTDOBITL). and there are several others. well, the gods are about to ascend up to Valhalla… a fitting end to a day.

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Fresh Start

Well, today i move to TypePad. I’ve been wanting to blog more and find the one i was using a bit unwieldy – supposedly i can email my posts if i want to. so here goes ….

so a few hours later
* * *

i am finally up and running – its a nice little product. so now that i’ve managed to kill a few hours tonight – after having done 6 hours of training today at work. i’m off for now.

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